Chiasmus is a rhetorical device in which two or more clauses are balanced against each other by the reversal of their structures in order to produce an artistic effect.
Let us try to understand chiasmus with the help of an example:
“Never let a Fool Kiss You or a Kiss Fool You.”
Notice that the second half of the above mentioned sentence is an inverted form of the first half both grammatically and logically. In the simplest sense, the term chiasmus applies to almost all “criss-cross” structures and this is the concept that is common these days. In its strict classical sense, however, the function of chiasmus is to reverse grammatical structure or ideas of sentences given that the same words and phrases are not repeated.
The Difference between Chiasmus and Antimetabole
“You forget what you want to remember, and you remember what you want to forget.”
Antimetabole examples resemble chiasmus examples as they are marked by the inversion of structure. In chiasmus, however, the words and phrases are not repeated. Generally, chiasmus and antimetabole are regarded by many critics as similar tools of rhetoric.
Chiasmus Examples in Literature
The use of chiasmus as a rhetorical device dates back to the ancient Greek and Roman civilizations. Its traces have been found in the ancient texts of Sanskrit and also in the ancient Chinese writings. Greeks, however, developed an unmatched inclination for this device and made it an essential part of the art of oration.
Below are a few samples from famous Greek sages:
“It is not the earth that makes us believe the man,
but the man the oath.” – Aeschylus (5th Century B.C.)
“Love as if you would one day hate,
and hate as if you would one day love.” – Bias (6th Century B.C.)
“Bad men live that they may eat and drink,
whereas good men eat and drink that they may live.” – Socrates (5th Century B.C.)
Let us have a look at some examples of chiasmus from English literature:
“But O, what damned minutes tells he o’er
Who dotes, yet doubts; suspects, yet strongly loves.” (Shakespeare, Othello)
“His time a moment, and a point his space.” (Alexander Pope, Essay on Man)
“Do I love you because you’re beautiful?
Or are you beautiful because I love you?” (Oscar Hammerstein, Do I Love You Because You’re Beautiful?)
“In his face.
Divine compassion visibly appeered,
Love without end, and without measure Grace” (John Milton, Paradise Lost)
“Lust is what makes you keep wanting to do it, Even when you have no desire to be with each other. Love is what makes you keep wanting to be with each other, Even when you have no desire to do it.” (Judith Viorst)
“In the blue grass region,
A paradox was born:
The corn was full of kernals
And the colonels full of corn.” (John Marshall)
“Some have an idea that the reason we in this country discard things so readily is because we have so much. The facts are exactly opposite – the reason we have so much is simply because we discard things so readily.” (Alfred P. Solan)
“The instinct of a man is
to pursue everything that flies from him, and
to fly from all that pursues him.” (Voltaire)
“When religion was strong and science weak, men
mistook magic for medicine;
Now, when science is strong and religion weak, men
mistake medicine for magic.” (Thomas Szaz)
Function of Chiasmus
As the above discussion reveals, chiasmus is a unique rhetorical device which is employed by writers to create a special artistic effect in order to lay emphasis on what they want to communicate. Richard A. Lanham in his treatise, Analyzing Prose, puts forward his interesting point of view about chiasmus in the following words:
“By keeping the phrase but inverting its meaning we use our opponent’s own power to overcome him, just as a judo expert does. So a scholar remarked of another’s theory, ‘Cannon entertains that theory because that theory entertains Cannon.’ The pun on ‘entertain’ complicates the chiasmus here, but the judo still prevails–Cannon is playing with the power of his own mind rather than figuring out the secrets of the universe.”