Definition of Eristic
Eristic is a derivative of a Greek word eris that means to create strife or to wrangle. It is defined as a literary device in which the writers and speakers engage in a heated argumentation without reaching a conclusion or solving a particular issue. Also, this device has been used as a manner of argumentation in classical texts which are usually based on specious reasoning and poor conclusions. It is also known as Discordia.
Difference between Dialectic and Eristic
According to Plato, there is a slight difference between eristic and dialectic. Dialecticians apply proper divisions and distinctions to the subject being argued, while eristics do not apply such distinctions, since they follow verbal oppositions.
Examples of Eristic from Literature
How now, my lord, why do you keep alone,
Of sorriest fancies your companions making,
Using those thoughts which should indeed have died
With them they think on? Things without all remedy
Should be without regard: what’s done, is done…..
To bed, to bed! There’s knocking at the gate:
come, come, come, come, give me your hand. What’s
done cannot be undone.—To bed, to bed, to bed!”
(Macbeth by William Shakespeare)
Lady Macbeth uses eristic arguments in these lines. In her arguments with her husband, she states that what has been done is done and cannot be undone.
It is an easy argument to parody. You all know Voltaire’s remark, that obviously the nose was designed to be such as to fit spectacles. That sort of parody has turned out to be not nearly so wide of the mark as it might have seemed in the eighteenth century, because since the time of Darwin we understand much better why living creatures are adapted to their environment…… but that they grew to be suitable to it, and that is the basis of adaptation. There is no evidence of design about it…
(Why I am Not a Christian by Bertrand Russell)
Russell explains why he does not believe in God and his doubt over Jesus’ existence. He argues ad absurdum and aims at winning the argument.
. . . men’s minds, vain opinions, flattering hopes, false valuations . . . and the like . . . it would leave the minds, of a number of men . . . full of melancholy and indisposition, and unpleasing to themselves….
(Of Truth by Francis Bacon)
In the above passage, Bacon tries to give possible reasons why men prefer to tell lies than tell the truth. There are so many causes and not a single or a particular cause can resolve this issue.
No no, he does well to ask. Do I need the bones? (He turns them over with the end of his whip.) No, personally I do not need them any more. (Estragon takes a step towards the bones.) But . . . . . . but in theory the bones go to the carrier. …
Mister . . . excuse me, Mister . . .
You’re being spoken to, pig! Reply! (To Estragon.) Try him again.
Excuse me, Mister, the bones, you won’t be wanting the bones?
Mister! (Lucky bows his head.) Reply! Do you want them or don’t you? They’re yours… I don’t like it. I’ve never known him to refuse a bone before… Nice business it’d be if he fell sick on me!
He puffs at his pipe.
(Waiting for Godot by Samuel Beckett)
This is one of the great examples of eristic arguments. The characters are discussing bones and their functions for human survival. All of them make different arguments but find no solution in this discussion.
Function of Eristic
A close look at the above eristic examples would lead one to correctly to assume that the main purpose of eristic argumentation is to prolong a conflict rather than resolve it. Though it was started by Sophists, it is now used in modern literary texts, speeches and contentious topics of political debates. The purpose is to confuse the opponent. Hence, it is employed for the sake of conflict and might involve comic effect and conspiracy theory. Besides, by searching eristic argumentation, the critiques find out literary weaknesses. As a result, critics have the tendency to distort the writers’ intentions. The aim is to win arguments and a clear answer is often not provided.