I dwell in Possibility
I dwell in Possibility –
A fairer House than Prose –
More numerous of Windows –
Superior – for Doors –Of Chambers as the Cedars –
Impregnable of eye –
And for an everlasting Roof
The Gambrels of the Sky –Of Visitors – the fairest –
For Occupation – This –
The spreading wide my narrow Hands
To gather Paradise.
Summary of I Dwell in Possibility
- The Essence of the Poem: Emily Dickinson’s “I dwell in Possibility” is a celebration of the boundless nature of imagination and the power of poetry. It’s a lyrical exploration of creativity as a vast, inviting space, contrasting it with the perceived limitations of prose. The poem isn’t about a literal dwelling, but an internal landscape where limitless potential resides.
- Central Idea: The core of the poem lies in the assertion that poetry – and by extension, imagination – offers a far richer and more expansive realm than conventional reality or straightforward writing. It suggests that within this imaginative space, one can access infinite possibilities and, ultimately, ‘gather Paradise.’
- Key Knowledge: This poem is often read as a manifesto for the artistic spirit. Dickinson, known for her unconventional style and profound insights, uses metaphor and evocative imagery to champion the power of the imagination. The poem is concise yet deeply layered, inviting multiple interpretations and showcasing her mastery of poetic form.
Analysis of I Dwell in Possibility
Exploring the Metaphor of the House
The poem immediately establishes a central metaphor: imagination (or poetry) is a “fairer House than Prose.” This isn’t a simple comparison of literary forms, but a statement about the scope of each. Prose, while capable and direct, is presented as limited in contrast to the expansive “House” of imagination. Consider the line, “More numerous of windows, Superior for doors,” These aren’t merely architectural features; they symbolize the myriad pathways to thought and expression offered by a creative mindset. The sheer quantity of windows and doors suggests an openness and accessibility that transcends the boundaries of ordinary experience.
The Inward Focus of “Impregnable of eye”
The line “Of Chambers as the Cedars, Impregnable of eye” is particularly intriguing. The chambers, like the strong and fragrant cedar trees, suggest solidity and depth. However, “Impregnable of eye” isn’t about physical impenetrability; it implies that this inner world is beyond the reach of external observation. The imagination, Dickinson suggests, is a private sanctuary, accessible only through introspection. The senses can’t fully grasp the depth of creativity—it’s a realm experienced internally.
Imagery of Boundless Space
The extended metaphor continues with the “everlasting Roof / The Gambrels of the Sky.” The gambrel roof, with its sloping sides, evokes a sense of spaciousness, while linking the inner world to the vastness of the heavens. This connection suggests that the imagination is not confined by earthly limitations, but extends into infinite possibility. Dickinson masterfully uses imagery to create a sense of boundless space, inviting the reader to enter this expansive realm.
“Of Visitors – the fairest” – The Nature of Inspiration
The “Visitors – the fairest” represent the sources of inspiration that populate the imaginative landscape. These could be ideas, emotions, memories, or any element that fuels creativity. Their beauty emphasizes the enriching and uplifting nature of the imaginative process. The speaker welcomes these visitors, suggesting an openness to new experiences and perspectives.
“The spreading wide my narrow Hands / To gather Paradise” – The Act of Creation
The final stanza culminates in a powerful image of creative fulfillment. The speaker’s “narrow Hands” attempting to “gather Paradise” is a paradox. The hands are limited, yet the goal is infinite. This reinforces the idea that even within limitations, the creative spirit can reach for the sublime. “Gathering Paradise” is not about possessing it, but about actively engaging with the possibilities and bringing them into being. This active engagement is the core of creativity itself.
Analysis of Literary Devices Used in “I Dwell in Possibility”
Metaphor and Symbolism
As we’ve explored, metaphor is central to this poem. The entire poem functions as an extended metaphor, comparing imagination to a house. This allows Dickinson to explore abstract concepts through concrete imagery. Symbolism is closely linked. The “Windows” and “Doors” symbolize opportunities for thought and expression, while “Paradise” represents the ultimate fulfillment of creative endeavor.
Paradox
Dickinson frequently employs paradox to challenge conventional thinking. The “narrow Hands” attempting to “gather Paradise” is a prime example. This seemingly contradictory image highlights the tension between limitations and aspirations. The poem’s very premise – that a boundless realm can reside within a limited space – is a paradox in itself.
Imagery
The poem is rich in vivid imagery that appeals to the senses. The descriptions of the “Cedars,” the “Gambrels of the Sky,” and the “fair” visitors create a strong visual and emotional impact. Dickinson’s careful use of imagery is essential to creating the poem’s atmosphere of wonder and possibility.
Enjambment
Enjambment, the continuation of a sentence or phrase from one line to the next, is used subtly throughout the poem. This technique creates a sense of flow and momentum, mirroring the boundless nature of the imagination. For example, the lines “More numerous of windows, Superior for doors” utilize enjambment to connect the ideas and create a smooth transition.
Analysis of Poetic Devices Used in “I Dwell in Possibility”
Free Verse and Meter
While not strictly free verse, the poem avoids a rigid rhyme scheme or metrical pattern. Dickinson’s use of rhythm is fluid and organic, allowing the language to flow naturally. She utilizes a loose iambic tetrameter in some lines, creating a subtle musicality without adhering to strict formal constraints.
Stanza Form
The poem consists of three quatrains (four-line stanzas). This concise form contributes to the poem’s overall sense of intimacy and focus. The quatrains create a sense of balance and structure, while allowing for a concentrated exploration of the central theme.
Capitalization and Dashes
Dickinson’s signature style, unconventional capitalization and frequent use of dashes, is present in this poem. These stylistic choices emphasize certain words and create pauses that invite reflection. The dashes create a fragmented, yet deliberate, rhythm that mirrors the unpredictable nature of thought.
In conclusion, “I dwell in Possibility” is a masterful exploration of the power of imagination. Through vivid imagery, evocative metaphors, and a unique poetic style, Dickinson celebrates the boundless potential of the creative spirit. The poem continues to resonate with readers because it speaks to the universal human desire for freedom, expression, and the pursuit of paradise within the realm of the imagination.